My Response

salvage

BY RACHEL MCKIBBENS

I have learned to need the body
I spent years trying to rid the world of

have learned to cherish its pale rebel hymn
warped by ghost heat, carried, carried

by all my loyal dead. I have learned
to crawl backward into the wilderness

to ask, to eat, to steep in your gentleness. 
Let this be where I permit forgiveness

to know your name, to leave our cruelest years
where & how we need them most—

                                                       behind & unlit. 

I believe what the poem is trying to say is the authuor trying to salvage her life and rebuild themself. I

My Response

I am Trying to Break Your Heart

BY KEVIN YOUNG

I am hoping
to hang your head

on my wall
in shame—

the slightest taxidermy
thrills me. Fish

forever leaping
on the living-room wall—

paperweights made
from skulls

of small animals.
I want to wear

your smile on my sleeve
& break

your heart like a horse
or its leg. Weeks of being

bucked off, then
all at once, you’re mine—

Put me down.

I want to call you thine

to tattoo mercy
along my knuckles. I assassin

down the avenue
I hope

to have you forgotten
by noon. To know you

by your knees
palsied by prayer.

Loneliness is a science—

consider the taxidermist’s
tender hands

trying to keep from losing
skin, the bobcat grin

of the living.

This poem is about Valentine’s Day but more of love in general in my opinion. It seems more geared about someone who is a heartbreaker, or is hoping to break someone elses heart.

Fear

Fear is a weed. He can spread himself far and wide. He can cause mass painc in people. Fear can plant himself, and dig his roots deep inside of you. The roots will dig until it reaches your soul, and make you afraid of something with no actual reason. Fear can say why he does it as “it just fun, its not like it is actually hurting someone.” Fear truly doesnt care for anyone other than himself.

My Response

Ode to Black Skin

BY ASHANTI ANDERSON

You are dark as religion. Remember God
could not have named a modicum of light without you.
You are plum, black currant, passion
fruit in another woman’s garden. You are Black
as and as if by magic. Black not as sin, but a cave’s jaw
clamped shut by forgiveness. Color of closed wombs and bellies
of ships, you, dark as not the tree trunk but its every cleft.
I chart each crescent moon rising above fingernail
and rub together my thighs for want of you. I try
to find you where the pages of books meet. You hang
where men or piano keys segregate. When I miss you,
I remember the hickey the sun left on the back of my neck.
If I forget, I smoke blunts down to my fingertips
and beg you to come on my lips. This is how I pray for you
when I’m not pessimistic. I bow to your darkness like I kneel
beside a child’s bed, confessing as gospel, there’s no monster here.

I like how it assumes that there is a monster until the last line where it says there’s no monster here. It is saying to me that it is not a bad thing to be black or a person of color .

Nearly drowning

I woke up again

This time weirdly scared.

I remember that I am in

My grandma’s bed.

I change into normal clothes

And go downstairs to the kitchen.

I tell my grandma that

I had this weird dream.

I tell her that it was like 

I was drowning and saw flashes of

Color that reminded me of the koi 

Fish in her pond.

She tells me that it is

A memory. That it actually happened.

 That I accidently fell in the koi pond

Trying to feed the fish with my cousin.

And my dad saved me.

I look back and wonder

How am I not afraid of swimming in pools.

Yet I was scared of the ocean when I was younger.

My Response

Frost at Midnight

BY SAMUEL TAYLOR COLERIDGE

The Frost performs its secret ministry,
Unhelped by any wind. The owlet’s cry
Came loud—and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
‘Tis calm indeed! so calm, that it disturbs
And vexes meditation with its strange
And extreme silentness. Sea, hill, and wood,
This populous village! Sea, and hill, and wood,
With all the numberless goings-on of life,
Inaudible as dreams! the thin blue flame
Lies on my low-burnt fire, and quivers not;
Only that film, which fluttered on the grate,

Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,
Whose puny flaps and freaks the idling Spirit
By its own moods interprets, every where
Echo or mirror seeking of itself,
And makes a toy of Thought.

                      But O! how oft,
How oft, at school, with most believing mind,
Presageful, have I gazed upon the bars,
To watch that fluttering stranger ! and as oft
With unclosed lids, already had I dreamt
Of my sweet birth-place, and the old church-tower,
Whose bells, the poor man’s only music, rang
From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come!
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams!
And so I brooded all the following morn,
Awed by the stern preceptor’s face, mine eye
Fixed with mock study on my swimming book:
Save if the door half opened, and I snatched
A hasty glance, and still my heart leaped up,
For still I hoped to see the stranger’s face,
Townsman, or aunt, or sister more beloved,
My play-mate when we both were clothed alike!

         Dear Babe, that sleepest cradled by my side,
Whose gentle breathings, heard in this deep calm,
Fill up the intersperséd vacancies
And momentary pauses of the thought!
My babe so beautiful! it thrills my heart
With tender gladness, thus to look at thee,
And think that thou shalt learn far other lore,
And in far other scenes! For I was reared
In the great city, pent ‘mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher! he shall mould
Thy spirit, and by giving make it ask.

         Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the night-thatch
Smokes in the sun-thaw; whether the eave-drops fall
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon.

The poem is talking about the seasons in general but at the beginning I thought it was going to be about winter.

My response

January Drought 

BY CONOR O’CALLAGHAN

It needn’t be tinder, this juncture of the year,   
a cigarette second guessed from car to brush.   

The woods’ parchment is given   
to cracking asunder the first puff of wind.   
Yesterday a big sycamore came across First   
and Hawthorne and is there yet.   

The papers say it has to happen,   
if just as dribs and drabs on the asbestos siding.   
But tonight is buckets of stars as hard and dry as dimes.   

A month’s supper things stacks in the sink.   
Tea brews from water stoppered in the bath   
and any thirst carried forward is quenched thinking you,   
piece by piece, an Xmas gift hidden   
and found weeks after: the ribbon, the box.   

I have reservoirs of want enough   
to freeze many nights over.

It has very vivd imagery. You kind of imagine what is written in your mind.